MECHATRONICS & SONICSENSE PROJECT TEAM
Commissioned by ZERO1 with support from the James Irvine Foundation and funded by UC Santa Cruz Department for Digital Arts and New Media
HydroSONIC v.2.0 by UCSC Digital Arts New Media Mechtronics Research Group & OpenLabis the most recent iteration of the sonicSENSE platform originally created by Barney Haynes and Jennifer Parker in 2010. Viewers walk through the reflective mylar corridors triggering audioscapes of algorithmic compositions created with hydro soundscapes and data from the Santa Clara Water district. Webcams collect movement of the participants through the mylar to create a visual gestalt of projected images. These images are collected and re-projected on to the video screens continuously, layering present images with past images, building a visual record of all the movement in the space over time.
Professor Jennifer Parker
The UCSC Digital Arts New Media Research cohort and UCSC OpenLab develops and produces physical, systems-based artworks that incorporates elements of robotics, motion control, software engineering, and hardware design. DANM Mechatronics research involves the use of a variety of media including video, performance, and sculpture, for the creation of complex, kinetic, audio-visual systems for the exploration of temporality, materiality, experience, perception.
Commissioned by ZERO1 and the San Jose Public Art Program with support from the National Endowment for the Arts, Gray Area Foundation for the Arts, UCSC OpenLab, and Dean Yager’s Research Initiative Fund and Arts Dean’s Excellence Fund at the University of California, Santa Cruz.
ArtHERE (2012) is a new initiative and online platform for crowd-sourced urban revitalization through the matching of art and place. Seeking a test platform and catalyst for the program, the artist group behind ArtHERE and ZERO1 have collaboratively positioned the 2012 ZERO1 Biennial as the launch pad for the first region-specific platform – siliconvalley.arthere.org.
Focusing on the greater Silicon Valley region, with the Biennial’s hub in downtown San Jose at its center, ZERO1 worked with local businesses and arts organizations to make a total of 13 spaces (and micro-grants) available in San Jose and Palo Alto that range from storefront windows and building facades, to outdoor projections and parklets. Via two open-call campaigns, artists were invited to submit art proposals online that set out to temporarily animate the available spaces with site-specific installations reflecting the 2012 ZERO1 Biennial theme Seeking Silicon Valley. The creative challenge being to use the architecture of the region as a canvas for vibrant and interactive artworks that reflect the creativity and innovation the Silicon Valley is known for. The selected projects will be exhibited in their respective spaces for the duration of the Biennial from September 12 to December 8, 2012.