Month: May 2011

Full Steam Ahead on CS-STE,

Seed Magazine Ideas / By Idit Harel Caperton / May 24, 2011

By imagining, drawing, and building original videogames, Globaloria students have been boldly demonstrating how art and design and creative cognition can re-ignite STEM learning.

Credit: WorldWideWorkshop

The distinguished experts attending The Art of Science Learning Workshop in Washington in early April were onto something when they concluded that STEM learning—that is, education in science, technology, engineering, and mathematics—could well benefit from an infusion of art and design. Adding an A for art to STEM would give our technical and scientific education “some steam,” said my MIT colleague John Maeda, now president of the Rhode Island School of Design, by “grounding the bits and bytes in the physical world before us.” Paola Antonelli, Senior Design Curator at the Museum of Modern Art in New York City, added another element to the mix: “Art and design,” said Antonelli, “when used correctly, can integrate innovation into people’s lives.” STEAM and Innovation: They are and ought to be at the heart of both Computer Science learning and STEM education.

Constructionist Learning theory (full disclosure: I helped birth this theory with Seymour Papert at the MIT Media Lab in the mid-80s) has long pushed for this approach of combining computer science and engineering with the sciences and the arts. We put it into practice at the Media Lab itself as well as in the innovative work we pursued in schools worldwide two decades ago.  The program was intentionally named “MAS” for Media Technology Arts and Sciences, and being highly interdisciplinary in nature, it combined architecture, media technology, arts, sciences, computation, design, music, and more.  In fact, Constructionist theory and the STEAM it can provide were the subject of my PhD thesis book, Children Designers, and underlie the philosophy of the products I’ve been developing since.

Most recently, my organization, the World Wide Workshop, has applied this learning theory in Globaloria, the social learning network for game-based educational innovation that has been actively changing students’ academics, lives and career futures in several states. By imagining, drawing and building original videogames, Globaloria students have been demonstrating dramatically how art and design and creative cognition can indeed ignite all kinds of STEM learning.

For example, Globaloria students throughout the state of West Virginia participated this year in the 2nd Annual Globaloria STEM Games Competition. Participants have research various STEM topics, blog about what they’ve learned, work in teams, produce video presentations, draw paper prototypes, design sample screens and graphics for game demos, and program webgames that teach others about science issues or mathematics concepts.  This year, 411 students signed up for the competition, and the games they created illustrate the power of CS-STEAM learning. These students never programmed before. But this method of combining art and design with science and computer science generated impressive results.

Two teams decided to work on Chemistry games: Team Comatical Combat (play their game – Elemental Elegance);Team Trandon Berry (play their game – Chemistry101).

On the other side of the state, in another school, Team Furyunleash22, designed a game team members called Paleo Quest. Early in their game design process, these Globaloria students learned to draw their game concepts, videotape the concepts, and test their game structure with future players. Based on the critique they receive on their prototype, Team Furyunleash22 modified their ideas.  They learned to move from an idea to drawing a prototype, then to designing an interactive demo that shows how the game will look and work.

Team Furyunleash22 learned to move from an idea to drawing a prototype. This interactive demo shows how the game will look and work.

Meanwhile, the Energy Savers team (play their game – Sally’s Energy Ride) produced a very detailed game prototype designed “to teach our generation how we can change things about how much we waste energy and how we need to start saving it.”

The Energy Savers team demonstrates their prototype for a game that teaches players about sustainable energy consumption.

Team XYZ (play their game – Space Adventures) created a playful paper prototype to take their future game players through a series of visuals and routines of their game, in which the player must guide an astronaut through space learn geometry along the way. Visit their Team Studio pages to experience their design process, and presentations videos.

Watch how team XYZ created their game, Space Adventure, in which the player’s role is to help an astronaut navigate through space and learn geometry on the journey.

Constructionist CS-STEAM is at the heart of all of the above dynamic activity. It means not just learning by doing but learning by having to do it in the object’s own language. That is, if the object is to create a videogame about a social issue or scientific topic—environmental pollution perhaps, or space travel—students must not only learn about chemicals leaching into streams or how booster rockets power lift-offs; they must also master the mathematical abilities and technical skills needed to conceive, visualize, design, prototype, and program the videogame from start to finish. The programming language, animation scripting, computer technology, and Web 2.0 tools that are the means of enactment for the game creation are, in effect, the language through which students will read, visualize, write, and express the content of their chosen subject for their game.

Globaloria embodies those processes and skills in a comprehensive and customizable curriculum.  In the classroom, working daily at their computers over a semester or two, the kids find themselves using mathematics, science, and technology tools as the building-blocks of their games. But since it’s all integrated, they learn the curriculum in the same way they learned their native language—experientially and creatively.  Of course, as it turns out, as they gain this wonderfully complex blend of digital literacies, their performance in “straight” math and science classes also improves.

In addition, Globaloria operates as a “design studio” or “digital collaborative.”  It’s a social network in which kids work in individual design spaces but also enter design spaces to work in teams—another critical skill for scientific thinking and career readiness.  The teacher serves as a mediator and coach—as a conduit to a range of external resources available on the Globaloria network.  In this transformed “blended” classroom, each student engages with the curriculum at his or her own pace and following his or her own bent, yet all come together as a team, both on-site and on-line, to analyze, troubleshoot, brainstorm, and solve big problems.  Figuring out how to pull together all the game media elements, code, and other graphical components through successive design cycles is probably the hardest fun of all.

It’s the intellectual equivalent of kids getting their hands dirty with finger paints, brushes, glue, sand and clay as they put their critical faculties to work doing research and thinking alone and together. They’re powering up their imaginations, strengthening their mental muscles for tinkering, debugging and critical analysis, as they master specific computing skills.

Globaloria is in action today engaging some 2000 students in 45 schools in three states. It will soon be in place in 60 schools in five states—middle schools, high schools, vocational and alternative education schools, charter schools.  Significantly, we’ve targeted schools in technologically underserved and economically underprivileged communities, and the results have been pretty astonishing. In one of our newest schools, a charter school attended by kids for whom English is sometimes a difficult second language, kids who just a few months ago had never programmed a game or blogged, had no idea what Wikipedia is, and hadn’t a clue how to work on a wiki with a team are now doing it all. They are programming software, building their own computer games, studying via a network, and interacting remotely with experts who are 2000 miles away—with gusto and with increasing skill. Their math, reading, and writing performance is also improving.

There are other important outcomes as well. For one, girls are empowered equally with the boys; click to see how. Complex topics are undertaken:  One sixth-grade student who appears in this last video clip delved into a subject she had studied in her English class—the Holocaust—and drove her teammates to create the game they eventually called Survivor. They became obsessed with reading and researching about the Holocaust, and they designed impressive graphics, characters, and scenes as they focused on making meaning and building a game about the subject. It’s a fascinating example of how students can grow their STEM knowledge and programming skills when given a chance to explore a topic of interest, even a tough one, and develop a game around it.  Their collaborative work on this is captured on Spongebob’s Crew Team Page.

Above all, Globaloria students of all ages in all grades are engaged in their own education in a way they have never been before.  The chance for artistic expression plus bits and bytes plus physical, hands-on learning-by-doing have set their minds on fire.  These kids have been turned on not just to digital design and the art of computational media technology, but also to visualizing and representing science knowledge in their games about climate change, molecular biology, and chemistry. Yes, they are learning how to make technology work, but in doing so, they are visualizing and re-imagining the world and explaining it to others in the language of the most compelling medium of this generation—game media.  In short, they’re moving ahead full steam on CS-STEM learning and on preparing themselves for future careers and for full and active citizenship in a programmable and hyper-expressive, web-driven world.

Credit: WorldWideWorkshop

 


About the Author:
Idit Harel Caperton, PhD, is President & Founder of WorldWideWorkshop.org

Globaloria is a social network for learning how to design and program webgames. It’s a rigorous, blended-learning platform, a year-long academic curriculum, comprising programmable wikis and blogs, game programming tutorials, game-content resources, and virtual support. Students drive the design process, taking an original idea to final product. In playful learning, students are educated in both technical and computational skills and in content knowledge, thus preparing themselves for college-level STEM studies, 21st-century citizenship, and careers in the global knowledge economy.  Globaloria can be found in 25 districts in West Virginia; in Austin, Texas; and Brooklyn, New York (and soon in California, Pennsylvania, and Florida).  Globaloria applications and information: info@WorldWideWorkshop.org.

The World Wide Workshop inspires young people through social learning and the use of innovative computational media technologies. We enrich formal and non-formal learning systems that personalize learning opportunities— especially in economically and technologically disadvantaged communities. Our programs respond to President Obama’s national calls to action: “Educate to Innovate,” and “Change the Equation in STEM Education.” We work with forward-thinking leaders, corporations, universities, schools, and research centers to enrich public education systems with the latest technology and with innovative CS-STEM learning opportunities.

This paper was presented at the National Center for Women and IT 2011 Summit on Practices and Ideas to Revolutionize Computing.  NCWIT SUMMIT is the pre-eminent destination for leading-edge research on curriculum, outreach, recruitment, retention, and advocacy across CS/IT pipelines. This annual event brings together leaders, change agents, and stakeholders to focus on research-driven practices that strengthen the computing workforce and cultivate technology innovation by increasing participation of girls and women.

UC Institute for Research in the Arts

Artists create meaning, solve problems and challenge expectations. The University of California Institute for Research in the Arts supports creative research and critical discourse by University of California faculty and students working in all genres and with a wide array of community partners.

With more than 1000 artists/researchers currently employed, the University of California system is home to the largest group of nationally and internationally recognized artists anywhere in the world. The University of California is also a leader in interdisciplinary practices linking research in the arts and science, arts and technology, arts and the environment, arts and digital media, and arts and the public sphere.

As the only system-wide arts research unit, UCIRA seeks to support the most innovative andrelevant arts research taking place at the University of California. We have an interest in work that encourages curricular development and innovative resource-sharing within individual campuses and/or across two or more campuses, as well as expanded praxis/participation-oriented work in which University of California faculty and/or students partner as co-researchers and co-learners with representatives from a broad range of off-campus communities, organizations and agencies. UCIRA is committed to supporting risk-taking research and new forms of cutting-edge practice that might not otherwise find University or extramural support and which both serve to enhance the rank and reputation of the University of California system and California’s dynamic geographic, cultural and economic profile.

Art in StoreFronts | TRANSMUTATIONS CLOSING

Photos: sonicSENSE Transmutations Closing @ GAFFTA

OpenLab members exhibited projects along with recent MFA graduates from UCSC Digital Arts New Media program, UCSC Arts faculty, and the UCSC Art and Physics Lab at Gray Area Foundation for the Arts and around Mid-Market in San Francisco through the Artery Project facilitated by the San Francisco Arts Commission and funded by the National Endowment for the Arts, Art in Storefronts is back!

The closing reception for Transmutations will have additional pieces by Nick Lally, Meredith Drum, Lyes Belhocine, Drew Detweiler, and the NomadPad, curated by Jennifer Parker on the street level of GAFFTA. check out the projects below: 


CUBIIC from Drew Detweiler on Vimeo.

CUBIIC
By Lyes Belhocine and Drew Detweiler
CUBIIC is a novel interface that lets users mix audio and video in real time. Audio and video clips are selected by flipping different sides of Plexiglass cubes. Two users can interact to create an improvised collaborative performance with data shared between two stations. CUBIIC is the latest in a series of innovative media manipulation tools created by Lyes Belhocine and Drew Detweiler since their graduation from The Digital Arts and New Media Program at UC Santa Cruz. Their work has been exhibited at the Absolute Zero festival in San Jose, Zeum- The Children’s Museum of San Francisco, and in Santa Cruz at Cruzio for First Friday Santa Cruz.

 


touch screen

Louisiana Re-Storied

by Meredith Drum
MAX / MSP assistance by Lyés Belhocine.
Carpentry assistance by Mitch Miller.

Touch screen with graphical interface, wooden kiosk, video projection, sound library.
If plastics could speak, what would they say? Tracing plastic products to their birthplace, the massive petrochemical factories and oil refineries that create plastic feedstocks, Louisiana Re-Storied is an interactive documentary regarding the impact of this industry on the health of specific human communities and ecosystems. The work focuses on the stretch of the Mississippi River between Baton Rouge and New Orleans. Here small communities and wetlands are sandwiched between petrochemical plants whose significant toxic releases are weakly regulated by the state’s Department of Environmental Protection, an agency famous for its industrial nepotism.

 


Untitled

Untitled

by: Nick Lally
Untitled is sound reactive software which gathers ambient street noise (footsteps, traffic, conversations, etc) and renders them as 3D particle systems in real time.

 

 


Nomadpad
by: Amy Boewer and Jack O’Neill
Nomadpad is committed to providing a free and accessible multifunctional product designed to deliver comfort and protection to those who are imposed-by the difficulties of the urban nomadic experience. Nomadpad is a nondiscriminatory, non-profit organization whose aims are to successfully supply a utilitarian product available to all users in the community of the city.

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